Pagan Event Organizer, Teacher, Writer, Artist, Costumer. Winner of the Covenant of Goddess' Distinguished Service to Youth Award.
Sunday, January 6, 2013
Songs as The Soul of a People
Songs are a reflection of the stories of a people. Ke$ha's Tik Tok
or Lady Gaga's Bad Romance are reflections of cultural experiences,
practices and beliefs of mainstream American culture, because if
individual's did not connect to the music, lyrics and rhythms of a song
and it's many incarnations (video, radio, iTunes download) the singer
would not be financially successful. Now if Ke$ha or Lady Gaga is
representational of the soul of the mainstream American people, what
does that tell us? That mainstream America is vapid, obsessed with
youth, beauty and sex as well as embracing the search for ecstasy with
alcohol and drug-induced euphoria. So when you are talking about music
as the soul of the people in traditional cultures you are looking into
the face of a very different portrait of Dorian Gray, as it were.
"Native American music plays a vital role in history and education, with
ceremonies and stories orally passing on ancestral customs to new
generations. Native American ceremonial music is traditionally said to
originate from deities or spirits, or from particularly respected
individuals. Rituals are shaped by every aspect of song, dance and
costuming, and each aspect informs about the "makers, wearers and
symbols important to the nation, tribe, village, clan, family, or
individual".[3] Native Americans perform stories through song, music and
dance, and the historical facts thus propagated are an integral part of
Native American beliefs. Epic legends and stories about culture heroes
are a part of tribal music traditions, and these tales are often an
iconic part of local culture.[Walter Mesteth's song that was used on the
oyate site contains a sense of the warrior spirit/soul of the Lakota
people. The lyrics refer to a warrior chasing Custer's men as the were
running and crying, but "he had no ears" and would not let them be (http://oyate.manykites.org/artists/mesteth15/lp15.mp3).
"This program was one of the first programs recorded for the Oyate
series. Wilmer Mesteth is from our own home state of South Dakota and is
well known on the Pine Ridge Reservation. He is a full-time instructor
for Oglala Lakota College in the Lakota Studies Department and is deeply
involved in the music and culture of the Lakota people." (http://oyate.manykites.org/artists/mesteth15/mesteth06.html)
Mesteth discusses in this clip that a traditional Lakota singer would
have memorized nearly two-thousand songs which is yet another reflection
of the Oral Literature of the people. It also has a similarity to the
tradition of bards in Celtic countries in the last thousand years. These
songs such as those reflecting chivalry and the pure love of knights
for a lady were also representational of the soul of the people. THe
instruments that a singer plays is also representational of the people's
spirit. Bards played fancy lutes or harps, and Native Singers play
drums and rattles. The great drums can sound like the heat beat of the
world, especially if you are at a pow-wow or Unthanksgiving at Alcatraz
and are very near to where the drummers are playing, The vibrations run
through you and you can understand how many native peoples believe that
the world was created with a song.
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